BLEED INTO ONE - THE STORY OF CHRISTIAN ROCK! and a rant about Tantrum Of The Muse's overlooked work!

Guys and gals, it brings me great pleasure to introduce this to you, if you have not already heard.

BLEED INTO ONE - THE STORY OF CHRISTIAN ROCK

This is so overwhelming to me. For so many reasons.

1. My whole life, I listened to almost all of the bands featured in this film. I know what it was like growing up on 70s and 80s christian music, as well as 90s and current. I watched the bible belt squeeze the life out of so many of these bands. I have come from an era when christian music was judged far greater than it could possibly be today. I was a metal head in the 80s. It started with Stryper, and it went into bands like Vengeance Rising, and Deliverance. My metal moved into hardcore, in the early 90s. The Crucified, and Scaterd Few were some of my favorite punk bands, and to this day, they still remain timeless and powerfully effective. To see somebody put a movie out on the subject of a massive culture of christian music, that somehow is completely (much like the very belief of christianity) misunderstood. America views christian music as "untalented, and foolish" when in fact, some christian artists have inspired some of the biggest groups today. Hell, God is the author of art, and music. Its like Larry Norman sang, and like Tantrum Of The Muse re-sang...WHY SHOULD THE DEVIL HAVE ALL THE GOOD MUSIC?????????

2. Speaking of Tantrum Of The Muse. I am hopeful that this film will mention the work Takehold Records did for the christian music industry. Takehold records, TOTM's record label, came the closest to being a christian business, that actually bridged a gap between christian music industry, and secular music industry. Signing us (TOTM) to the label was probably THR's most risk taking business decision. We were saying lyrically, and doing musically way more risky things. Then you have THR bands like Underoath, who has gone on to outsell to the major label status. This band was on THR along with some great bands like Narcissus, Fewleftstanding, Twothirtyeight, etc. Chad Johnson, the owner of THR, went as far as putting together a very successful 2/3 day music festival called "Furnace Fest" where Christian believing bands like mine, shared the stage with bands like Hatebreed, Isis, Andrew W.K., Hum, and The Dillinger Escape Plan. I mean, this was huge at the time!!!!!!

In a perfect world, Tantrum Of The Muse would have a voice on this documentary, especially when the reactions to us from CHRISTIAN alternative music fans ALONE, made waves big enough that TOTM could barely stay afloat. TOTM and THR saw the last moment in Christian music, when the industry had not changed, people were still buying CDs, passing in demos, and you could make a real statement, not just with your lyrics but with your music. 

TOTM was doing something revolutionary for christian music. It has been said about the band, and I am saying it about the band. 

But, because we sold only a few thousand CDS, where Underoath continues to sell many thousands, Underoath gets a voice in "The history of Christian rock"

Its just the way it is. 

TOTM or not, make sure you see this film when it comes out!!!!

Oh, and check out some of these links on Tantrum Of The Muse:

TANTRUM OF THE MUSE - MYSPACE MEMORIAL (1998-2004)

TANTRUM OF THE MUSE - A BRIEF HISTORY

The 77's - Holy Ghost Building, review (And a list of other crucial 77s records)

THE SEVENTY SEVENS - HOLY GHOST BUILDING

(2008 - Lo-Fidelity/Fools Of The World)

track list:

I'm Working on a Building 

 Keep Your Lamps Trimmed and Burning 

Stranger Won't You Change Your Sinful Ways 

 I'll Remember You, Love, In My Prayers 

You're Gonna Be Sorry 

 What Would You Give In Exchange For Your Soul 

 He's A Mighty Good Leader 

 When My Blue Moon Turns To Gold Again 

 Everybody Ought To Pray Sometime 

I'm Gonna Run To The City of Refuge 

 A Lifetime Without You

The Seventy Sevens are easily one of THE BEST rock bands to come out of the last few decades, from any genre, period! 77s frontman, Michael Roe's guitar work is uncommon and overwhelming. Without a doubt he is a guitar prodigy, that I seriously rank up with the best! I can name a number of tracks to prove this view, hell, I have tons of material to pick from. This band has been kicking all of our asses since the late 70s!!!! Here it is, 2008, and we are treated to another studio outing, titled "Holy Ghost Building", the band's homage to the gospel/blues/bluegrass bands of old. Michael Roe said, when asked about the sound of this album, "When folks ask me what this record sounds like, I like to say 'Elvis, Scotty, Bill & D.J.' because we did it exactly the way those guys did the early Elvis recordings. It even sounds like them sonically here and there, but thankfully none of that was planned either, which of course makes me very happy. You can't plan those things without them often sounding planned, and I'm so glad we didn't. Even the one original tune we tacked on at the end of this project as a bonus treat for the fans was made up on the spot: music, lyrics, melody and all. Talk about risk! But that's how you end up with records like the ones I loved as a kid, and this one's got that sound and feeling."

For the record, every song on this cd rocks. From beginning to end, we get what we expect. High quality, tons of guitars. A lot of attitude. What some might not expect however is that even though experimentation is nothing new for this band, the guys still find ways to bring new ideas into their music. The 77s have done blues, and gospel in the past, but it was done in small doses. The band's pop sensibilities always dominated it though. Here, Roe tries new things with his voice. Some of the vocal work will surprise you. He manages to capture the vocal stylings of various singers, who have influenced the album. At first listen, I was actually shocked to hear how far the band was going to take this sound. Again, with the band's pop sensibility being a major force in the past, I did not expect this album to disconnect so much with past albums. On this record, we are treated to entirely new 77s. Another strength to this album is that the songs do not all sound alike. There are several different examples of rock history here to examine. It is not a run of the mill blues record. Roe's guitar jangling dominates the music, which is a high point for me personally. I am also happy that the band sounds less tired on this record, than they did on their last full length "A Golden Field Of Radioactive Crows". Granted, this record, musically, is slower, and less "modern rock" but the band has a lot of life, and it shows on this one. It is a natural progression, or maybe just a well needed reminder, that this band still rocks with the best of them!!! 

Now, this record does not come without flaws, and I will elaborate. For one. Somehow I missed the memo and thought this was a record of completely brand new songs, written by the 77s. What we get here is 77s renditions of already existent gospel and blues songs. THAT fact alone took some wind out of my sails, when you consider the hype that was brought with this record, and when you consider how long it has been since the last album (6 years).

Not having a full length new album of songs penned by the band only, kinda bummed me out, but they did manage to end the album on an original, and i think its the best song on the album. I might be alone here, but I really think "A Lifetime Without You" sticks out and shines with classic 77s spirit. And it is no surprise, being the one original on the record, its a shame we didn't hear what more the band could do with a few more originals. 

A lot of fans might not get this one, or like it because it is strictly a gospel/blues record, but I get a lot of joy from that. But, with this record not being filled with originals, and with this record being so different from the others, I really hope the band will spend less time than this one took, making a new album, that pays homage to some of the classic older sound, where gospel and blues was carefully blended with progressive rock, and pop hooks.

THANK YOU BOYS for another awesome album. DO NOT STOP!!! Keep kicking asses. Give us a classic sounding 77s record sometime in the next 3 years.

And, for God sake, can somebody please book a show in PA?!?!?!

And, while we are talking 77s, track down and find these records:

All Fall Down (1984)

The Seventy Sevens (1986)

Sticks And Stones (1990)

Pray Naked (1992)

Drowning With Land In Sight (1994)

Tom Tom Blues (1995)

EP (1999)